In World War Z, Gerry and his family are trapped in bumper-to-bumper traffic and forced to see shelter as people run from some unseen horror, which quickly makes itself known as infected humans run rampant through the streets. It is traditional for movies within the zombie subgenre of horror to have at least one nail-biter of a scene showing what happens when the outbreak hits close to the protagonist's home.
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While the credits of World War Z are bit extra, with news clips and reality TV clips blending into a cacophony of blissfully ignorant panic, the opening sequence introducing us to Gerry, his wife Karin ( Mireille Enos), and their daughters Rachel ( Abigail Hargrove) and Constance ( Sterling Jerins) before proceeding to take us through their first brush with the virus is perfectly orchestrated. This current, surreal reality we're living in is a major reason why World War Z feels so accessible right now the circumstances are near-perfectly mirrored. The way we live after this event will not look like the way we lived before this event.
How we respond, at every level, to preventing the spread of this virus while taking steps to protect and care for those we love are primal instincts. It's a paradigm-shifting moment for us as a nation and as a global community. We're social distancing, self-quarantining inside our homes, either sharing every bit of news we can on social media or sharing none to avoid potentially panicking others, trying to find solace in activities we like which help us forget about our woes, and await a vaccine which we know is still months away.
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Here in the real world, we're contending with an erratic news cycle full of ever-changing directives from elected officials while simply trying to do what's best for us and our loved ones while trying to avoid the spread of COVID-19, a.k.a. Seen through the eyes of Gerry Lane (Pitt), a former UN employee put back on the frontlines to help find a cure, the story of World War Z begins to take a global angle. Flesh is of little concern here, just infecting healthy folks at all costs. The zombies of Brooks' World War Z are very much the zombies of the World War Z movie: Fast-moving, ravenous, and programmed purely to spread the virus. While it doesn't necessarily directly adapt the stories in Brooks' novel, it does take the same basic idea - analyzing a virus-based zombie outbreak through a geopolitical lens - and breathes life into it with a new set of characters and situations. Pitt makes everything better.ĭespite the long road to theaters, World War Z delivers. For my money, World War Z is as good a "pondering a pandemic" sort of film as Contagion or Outbreak, but arguably does better than both when it comes to comforting you as you watch by rooting it in a genre which is still a few steps removed from our reality.
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The only movie really doing it for me when it comes to finding something soothing to latch onto even when it's telling an intense, somewhat relatable, pandemic story is 2013's World War Z - and I think you should watch it now, too. After all, movies are the ultimate "What if?" scenario, right?
Maybe we want to see how it would all play out, this pandemic business, and how humanity could solve it. But if the surge in interest for revisiting pandemic-related movies like Contagionand Outbreak in recent weeks can tell us anything, it's the surprising truth that maybe we just want to feel like we're not alone in this. And it might feel counterintuitive right now to want to watch something a little nerve-jangling, or perhaps something which hits closer to the bone than expected. It feels easy to succumb to your own internal "Panic Mode" right now believe me, I totally get it.